"Ju-Girl's favorite days are the ones spent with Granddad in his garage, fixing cars and hearing stories about his old blue pickup. Granddad used to drive the blue pickup all over the island, bringing happiness to many. And now it just sits in the driveway. One day, Ju-Girl asks Granddad if he'd ever fix it, and he's unsure at first. But the pair soon finds out just what it takes to restore the memory of the blue pickup and to create new stories along the way."--Amazon.

A young Black girl, with the help of her Mama and Granny, learns that home isn't just a place but rather a reflection of people who support and love one another.

A little boy is excited to work alongside his Papa as they collect eggs, plums, peppers and pumpkins to sell at their stand in the farmer's market, but when Papa cannot make it to the stand, his community gathers around him, with dishes made of his own produce.

Discover why the world's first Black Grandmaster Maurice Ashley thinks that chess is one of the best skills in life. Follow him on a journey from the Bronx to a world stage where he has taught thousands of young people the life philosophies of the game.

A tender-souled boy reeling from the death of his best friend struggles to fit into a world that wants him to grow up tough and unfeeling. It's the last few months of eighth grade, and Isaiah feels lost. He thought his summer was going to be him and his boys Drew and Darius, hanging out, doing wheelies, watching martial arts movies, and breaking tons of Guinness World Records before high school. But now, more and more, Drew seems to be fading from their friendship, and though he won't admit it, Isaiah knows exactly why. Because Darius is...gone. A hit and run killed Darius in the midst of a record-breaking long wheelie when Isaiah should have been keeping watch, ready to warn: "CAR!" Now, Drew can barely look at Isaiah. But Isaiah, already quaking with ache and guilt, can't lose two friends. So, he comes up with a plan to keep Drew and him together­­­--they can spend the summer breaking records, for Darius. But Drew's not the same Drew since Darius was killed, and Isaiah, being Isaiah, isn't enough for Drew anymore. Not his taste in clothes, his love for rock music, or his aversion to jumping off rooftops. And one day something unspeakable happens to Isaiah that makes him think Drew's right. If only he could be less sensitive, more tough, less weird, more cool, less him, things would be easier. But how much can Isaiah keep inside until he shatters wide open?

Seventh-grader Sharkita "Kita" embarks on a tumultuous journey to keep her family together while handling the consequences of her mother's alcoholism.

"The incredible true story of the last ship to carry enslaved people to America, the remarkable town its survivors founded after emancipation, and the complicated legacy their descendants carry with them to this day -- by the journalist who discovered the ship's remains"-- Provided by publisher.

"Joining the ranks of Rebecca Skloot's The Immortal Life of Henrietta Lacks and Zora Neale Hurston's rediscovered classic Barracoon, an immersive and revelatory history of the Clotilda, the last slave ship to land on US soil, told through the stories of its survivors-the last documented survivors of any slave ship-whose lives diverged and intersected in profound ways"-- Provided by publisher.

Chronicles the story of the last Africans brought illegally to the United States on the Clotilda in 1860.

"The animating idea of The 1619 Project is that our national narrative is more accurately told if we begin not on July 4, 1776, but in late August of 1619, when a ship arrived in Jamestown bearing a cargo of twenty to thirty enslaved people from Africa. Their arrival inaugurated a barbaric and unprecedented system of chattel slavery that would last for the next 250 years. This is sometimes referred to as the country's original sin, but it is more than that: It is the country's very origin. The 1619 Project tells this new origin story, placing the consequences of slavery and the contributions of Black Americans at the center of the story we tell ourselves about who we are as a country. Orchestrated by the editors of The New York Times Magazine, led by MacArthur "genius" and Pulitzer Prize-winning journalist Nikole Hannah-Jones, this collection of essays and historical vignettes includes some of the most outstanding journalists, thinkers, and scholars of American history and culture--including Linda Villarosa, Jamelle Bouie, Jeneen Interlandi, Matthew Desmond, Wesley Morris, and Bryan Stevenson. Together, their work shows how the tendrils of 1619--of slavery and resistance to slavery--reach into every part of our contemporary culture, from voting, housing and healthcare, to the way we sing and dance, the way we tell stories, and the way we worship. Interstitial works of flash fiction and poetry bring the history to life through the imaginative interpretations of some of our greatest writers. The 1619 Project ultimately sends a very strong message: We must have a clear vision of this history if we are to understand our present dilemmas. Only by reckoning with this difficult history and trying as hard as we can to understand its powerful influence on our present, can we prepare ourselves for a more just future"-- Provided by publisher.

"A shocking and revelatory account of the murder of Emmett Till that lays bare how forces from around the world converged on the Mississippi Delta in the long lead-up to the crime, and how the truth was erased for so long"-- Provided by publisher.

"A magnificent, foundational reckoning with how Black Americans have used the written word to define and redefine themselves, in resistance to the lies of racism and often in heated disagreement with each other, over the course of the country's history. Distilled over many years from Henry Louis Gates, Jr.'s legendary Harvard introductory course in African American Studies, The Black Box: Writing the Race, is the story of Black self-definition in America through the prism of the writers who have led the way. From Phillis Wheatley and Frederick Douglass, W.E.B. Du Bois and Booker T. Washington, to Zora Neale Hurston and Richard Wright, James Baldwin and Toni Morrison--these writers used words to create a livable world--a "home"--for Black people destined to live out their lives in a bitterly racist society. It is a book grounded in the beautiful irony that a community formed legally and conceptually by its oppressors to justify brutal sub-human bondage, transformed itself through the word into a community whose foundational definition was based on overcoming one of history's most pernicious lies. This collective act of resistance and transcendence is at the heart of its self-definition as a "community." Out of that contested ground has flowered a resilient, creative, powerful, diverse culture formed by people who have often disagreed markedly about what it means to be "Black," and about how best to shape a usable past out of the materials at hand to call into being a more just and equitable future. This is the epic story of how, through essays and speeches, novels, plays, and poems, a long line of creative thinkers has unveiled the contours of--and resisted confinement in--the "black box" inside which this "nation within a nation" has been assigned, willy nilly, from the nation's founding through to today. This is a book that records the compelling saga of the creation of a people"-- Provided by publisher.

"An award-winning historian illuminates the adversities and joys of the Black working class in America through a stunning narrative centered on her forebears. There have been countless books, articles, and televised reports in recent years about the almost mythic "white working class," a tide of commentary that has obscured the labor, and even the very existence, of entire groups of working people, including everyday Black workers. In this brilliant corrective, Black Folk, acclaimed historian Blair LM Kelley restores the Black working class to the center of the American story. Spanning two hundred years--from one of Kelley's earliest known ancestors, an enslaved blacksmith, to the essential workers of the Covid-19 pandemic--Black Folk highlights the lives of the laundresses, Pullman porters, domestic maids, and postal workers who established the Black working class as a force in the late nineteenth and early twentieth centuries. Taking jobs white people didn't want and confined to segregated neighborhoods, Black workers found community in intimate spaces, from stoops on city streets to the backyards of washerwomen, where multiple generations labored from dawn to dusk, talking and laughing in a space free of white supervision and largely beyond white knowledge. As millions of Black people left the violence of the American South for the promise of a better life in the North and West, these networks of resistance and joy sustained early arrivals and newcomers alike and laid the groundwork for organizing for better jobs, better pay, and equal rights. As her narrative moves from Georgia to Philadelphia, Florida to Chicago, Texas to Oakland, Kelley treats Black workers not just as laborers, or members of a class, or activists, but as people whose daily experiences mattered--to themselves, to their communities, and to a nation that denied that basic fact. Through affecting portraits of her great-grandfather, a sharecropper named Solicitor, and her grandmother, Brunell, who worked for more than a decade as a domestic maid, Kelley captures, in intimate detail, how generation after generation of labor was required to improve, and at times maintain, her family's status. Yet her family, like so many others, was always animated by a vision of a better future. The church yards, factory floors, railcars, and postal sorting facilities where Black people worked were sites of possibility, and, as Kelley suggests, Amazon package processing centers, supermarkets, and nursing homes can be the same today. With the resurgence of labor activism in our own time, Black Folk presents a stirring history of our possible future."--Publisher.

"An exciting new voice makes the case for a colorblind approach to politics and culture, warning that the so-called 'anti-racist' movement is driving us--ironically--toward a new kind of racism. As one of the few black students in his philosophy program at Columbia University years ago, Coleman Hughes wondered why his peers seemed more pessimistic about the state of American race relations than his own grandparents--who lived through segregation. The End of Race Politics is the culmination of his years-long search for an answer. Contemplative yet audacious, The End of Race Politics is necessary reading for anyone who questions the race orthodoxies of our time. Hughes argues for a return to the ideals that inspired the American Civil Rights movement, showing how our departure from the colorblind ideal has ushered in a new era of fear, paranoia, and resentment marked by draconian interpersonal etiquette, failed corporate diversity and inclusion efforts, and poisonous race-based policies that hurt the very people they intend to help. Hughes exposes the harmful side effects of Kendi-DiAngelo style antiracism, from programs that distribute emergency aid on the basis of race to revisionist versions of American history that hide the truth from the public. Through careful argument, Hughes dismantles harmful beliefs about race, proving that reverse racism will not atone for past wrongs and showing why race-based policies will lead only to the illusion of racial equity. By fixating on race, we lose sight of what it really means to be anti-racist. A racially just, colorblind society is possible. Hughes gives us the intellectual tools to make it happen"-- Provided by publisher.

"A powerfully moving meditation on race, climate, environmental justice--and what it takes to find shelter"-- Provided by publisher.

"Coates originally set off to write a book about writing, in the tradition of Orwell's classic Politics and the English Language, but found himself grappling with deeper questions about how our stories-our reporting and imaginative narratives and mythmaking-expose and distort our realities. The first of the book's three intertwining essays is set in Dakar, Senegal. Despite being raised as a strict Afrocentrist-and named for Nubian pharaoh-Coates had never set foot on the African continent until now. He roams the "steampunk" city of "old traditions and new machinery," meeting with strangers and dining with local writers who quiz him in French about African American politics. But everywhere he goes he feels as if he's in two places at once: a modern city in Senegal and a mythic kingdom in his mind, the pan-African homeland he was raised to believe was the origin and destiny for all black people. Finally he travels to the slave castles off the coast and touches the ocean that carried his ancestors away in chains-and has his own reckoning with the legacy of the Afrocentric dream. Back in the USA he takes readers along with him to Columbia, South Carolina, where he explores a different mythology, this one enforced on its subjects by the state. He enters the world of the teacher whose job is threatened for teaching one of Coates's own books and discovers a community of mostly white supporters who were transformed and even radicalized by the stories they discovered in the "racial reckoning" of 2020. But he also explores the backlash to this reckoning and the deeper myths and stories of the community-a capital of the confederacy with statues of segregationists looming over the its public squares. In Palestine, the longest of the essays, he discovers the devastating gap between the narratives we've accepted and the clashing reality of life on the ground. He meets with activists and dissidents, Israelis and Palestinians--the old, who remember their dispossessions on two continents, and the young who have only known struggle and disillusionment. He travels into Jerusalem, the heart of Zionist mythology, and to the occupied territories, where he sees the reality the myth is meant to hide. It is this hidden story that draws him in and profoundly changes him--and makes the war that would soon come all the more devastating"-- Provided by publisher.

"Our Hidden Conversations is a unique compilation of stories, richly reported essays, and photographs providing a window into America during a tumultuous era. This powerful book offers an honest, if sometimes uncomfortable, conversation about race and identity, permitting us to eavesdrop on deep-seated thoughts, private discussions, and long submerged memories."-- Provided by publisher.

"A groundbreaking history of the antebellum movement for equal rights that reshaped the institutions of freedom after the Civil War. The half century before the Civil War was beset with conflict over freedom as well as slavery: what were the arrangements of free society, especially for African Americans? Beginning in 1803, many free states enacted black codes that discouraged the settlement and restricted the basic rights of free black people. But claiming the equal-rights promises of the Declaration and the Constitution, a biracial movement arose to fight these racist state laws. Kate Masur's magisterial history delivers this pathbreaking movement in vivid detail. Its advocates battled in state legislatures, Congress, and the courts, and through petitioning, party politics and elections. They visited slave states to challenge local laws that imprisoned free blacks and sold them into slavery. Despite immovable white majorities and unfavorable court decisions, their vision became increasingly mainstream. After the Civil War, their arguments shaped the Civil Rights Act and the Fourteenth Amendment, the pillars of our second founding"-- Provided by publisher.

Joy-Ann Reid traces the extraordinary lives and legacy of civil rights icons Medgar and Myrlie Evers, situating Medgar Evers's assassination as a catalyzing moment in American history.

"Black resistance to white supremacy is often reduced to a simple binary, between Dr. Martin Luther King Jr.'s nonviolence and Malcolm X's "by any means necessary." In We Refuse, historian Kellie Carter Jackson urges us to move past this false choice, offering an unflinching examination of the breadth of Black responses to white oppression, particularly those pioneered by Black women. The dismissal of "Black violence" as an illegitimate form of resistance is itself a manifestation of white supremacy, a distraction from the insidious, unrelenting violence of structural racism. Force-from work stoppages and property destruction to armed revolt-has played a pivotal part in securing freedom and justice for Black people since the days of the American and Haitian Revolutions. But violence is only one tool among many. Carter Jackson examines other, no less vital tactics that have shaped the Black struggle, from the restorative power of finding joy in the face of suffering to the quiet strength of simply walking away. Clear-eyed, impassioned, and ultimately hopeful, We Refuse offers a fundamental corrective to the historical record, a love letter to Black resilience, and a path toward liberation"-- Provided by publisher.

One of the most pernicious and persistent myths in the United States is the association of Black skin with poverty. Though there are forty million more poor white people than Black people, most Americans, both Republicans and Democrats, continue to think of poverty--along with issues like welfare, unemployment, and food stamps--as solely a Black problem. Why is this so? What are the historical causes? And what are the political consequences that result? These are among the questions that the Reverend Dr. William J. Barber II, a leading advocate for the rights of the poor and the "closest person we have to Dr. King" (Cornel West), addresses in White Poverty, a groundbreaking work that exposes a legacy of historical myths that continue to define both white and Black people, creating in the process what might seem like an insuperable divide. Analyzing what has changed since the 1930s, when the face of American poverty was white, Barber, along with Jonathan Wilson-Hartgrove, addresses white poverty as a hugely neglected subject that just might provide the key to mitigating racism and bringing together tens of millions of working class and impoverished Americans.

"Dubbed a voice of her generation, poet and writer Morgan Parker has spent much of her adulthood in therapy, trying to square the resonance of her writing with the alienation she feels in nearly every aspect of life, from her lifelong singleness to her battle with depression. She traces this loneliness to an inability to feel truly safe with others and a historic hyper-awareness stemming from the effects of slavery. In this collection of sharp, reflective essays, Parker examines America's cultural history and relationship to Black Americans through the ages, through such topics as the Church's role in propagating segregation through scriptural misreadings, the implications of Bill Cosby's fall from grace in a culture predicated on acceptance through respectability, and the pitfalls of visibility as seen through the mischaracterizations of Serena Williams as alternately iconic and too ambitious"-- Provided by publisher.

"Derek Black was raised to take over the white nationalist movement in the United States. Their father, Don Black, was a former Grand Wizard in the Ku Klux Klan and started Stormfront, the internet's first white supremacist website--Derek built the kids' page. David Duke, was also their close family friend and mentor. Racist hatred, though often wrapped up in respectability, was all Derek knew. Then, while in college in 2013, Derek publicly renounced white nationalism and apologized for their actions and the suffering that they had caused. The majority of their family stopped speaking to them, and they disappeared into academia, convinced that they had done so much harm that there was no place for them in public life. But in 2016, as they watched the rise of Donald Trump, they immediately recognized what they were hearing--the spread and mainstreaming of the hate they had helped cultivate--and they knew that they couldn't stay silent. This is a thoughtful, insightful, and moving account of a singular life, with important lessons for our troubled times. Derek can trace a uniquely insider account of the rise of white nationalism, and how a child indoctrinated with hate can become an anti-racist adult. Few understand the ideology, motivations, or tactics of the white nationalist movement like Derek, and few have ever made so profound a change. When coded language and creeping authoritarianism spread the ideas of white nationalists, this is an essential book with a powerful voice."--Amazon

"After years of working as an FBI agent, Titus Crown returns home to Charon County, land of moonshine and cornbread, fist fights and honeysuckle. Seeing his hometown struggling with a bigoted police force inspires him to run for sheriff. He wins, and becomes the first Black sheriff in the history of the county. Then a year to the day after his election, a young Black man is fatally shot by Titus's deputies. Titus pledges to follow the truth wherever it leads. But no one expected he would unearth a serial killer who has been hiding in plain sight, haunting the dirt lanes and woodland clearings of Charon. Now, Titus must pull off the impossible: stay true to his instincts, prevent outright panic, and investigate a shocking crime in a small town where everyone knows everyone yet secrets flourish. All while also breaking up backroads bar fights and being forced to protect racist Confederate pride marchers. For a Black man wearing a police uniform in the American South, that's no easy feat. But Charon is Titus's home and his heart, and he won't let the darkness overtake it. Even as it threatens to consume him."-- Provided by publisher.

"In this moving debut novel, two estranged siblings must set aside their differences to deal with their mother's death and her hidden past--a journey of discovery that takes them from the Caribbean to London to California and ends with her famous black cake. In present-day California, Eleanor Bennett's death leaves behind a puzzling inheritance for her two children, Byron and Benny: a traditional Caribbean black cake, made from a family recipe with a long history, and a voice recording. In her message, Eleanor shares a tumultuous story about a headstrong young swimmer who escapes her island home under suspicion of murder. The heartbreaking journey Eleanor unfolds, the secrets she still holds back, and the mystery of a long-lost child, challenge everything the siblings thought they knew about their family, and themselves. Can Byron and Benny reclaim their once-close relationship, piece together Eleanor's true history, and fulfill her final request to 'share the black cake when the time is right?' Will their mother's revelations bring them back together or leave them feeling more lost than ever? Charmaine Wilkerson's debut novel is a story of how the inheritance of betrayals, secrets, memories, and even names, can shape relationships and history. Deeply evocative and beautifully written, Black Cake is an extraordinary journey through the life of a family changed forever by the choices of its matriarch"-- Provided by publisher.

"Fifteen-year-old Ruby Pearsall is on track to becoming the first in her family to attend college, in spite of having a mother more interested in keeping a man than raising a daughter. But a taboo love affair threatens to pull her back down into the poverty and desperation that has been passed on to her like a birthright... Eleanor Quarles arrives in Washington, DC, with ambition and secrets. When she meets the handsome William Pride at Howard University, they fall madly in love. But William hails from one of DC's elite wealthy Black families, and his parents don't let just anyone into their fold. Eleanor hopes that a baby will make her finally feel at home in William's family and grant her the life she's been searching for"-- Provided by publisher.

"From Percival Everett-a recipient of the NBCC Lifetime Achievement Award and finalist for the Pulitzer Prize, Booker Prize, and numerous PEN awards-comes James, a retelling of The Adventures of Huckleberry Finn, both harrowing and ferociously funny, told from the enslaved Jim's point of view. When the enslaved Jim overhears that he is about to be sold to a man in New Orleans, separated from his wife and daughter forever, he decides to hide on nearby Jackson Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father, recently returned to town. As all readers of American literature know, thus begins the dangerous and transcendent journey by raft down the Mississippi River toward the elusive and too-often-unreliable promise of the Free States and beyond. While many narrative set pieces of The Adventures of Huckleberry Finn remain in place (floods and storms, stumbling across both unexpected death and unexpected treasure in the myriad stopping points along the river's banks, encountering the scam artists posing as the Duke and Dauphin...), Jim's agency, intelligence and compassion are shown in a radically new light. Brimming with the electrifying humor and lacerating observations that have made Everett a "cult literary icon" (Oprah Daily), and one of the most decorated writers of our lifetime, James is destined to be a major publishing event and a cornerstone of twenty-first century American literature"-- Provided by publisher.

"A dazzling, unforgettable novel about a young Black woman who walks the streets of Oakland and stumbles headlong into the failure of its justice system-a debut that announces a blazingly original voice. Kiara Johnson and her brother Marcus are barely scraping by in a squalid East Oakland apartment complex that calls itself, optimistically, the Royal-Hi. Both have dropped out of high school, their family fractured by death and prison. But while Marcus clings to his dream of rap stardom, Kiara hunts for work to pay their rent-which has now more than doubled-and to keep the 9-year-old boy next door, abandoned by his mother, safe and fed. What begins as a drunken misunderstanding with a stranger one night soon becomes the job Kiara never wanted but now desperately needs: nightcrawling. And her world breaks open even further when her name surfaces in an investigation that exposes her as a key witness in a massive scandal within the Oakland police department. Full of edge, raw beauty, electrifying intensity, and piercing vulnerability, Nightcrawling marks the stunning arrival of a voice unlike any we have heard before"-- Provided by publisher.

One day, a cataclysmic event occurs: all of the white people in America walk into the nearest body of water. A year later, Charles Brunton is a Black man living in an entirely new world. Having served time in prison for a wrongful conviction, he's now a professor of electric and solar power systems at Howard University when he receives a call from someone he wasn't even sure existed: his daughter Sidney, a nineteen-year-old who watched her white mother and step-family drown themselves in the lake behind their house. Traumatized by the event, and terrified of the outside world, Sidney has spent a year in isolation in Wisconsin. Desperate for help, she turns to the father she never met, a man she has always resented. Sidney and Charlie meet for the first time as they embark on a journey across America headed for Alabama, where Sidney believes she may still have some family left. But neither Sidney or Charlie is prepared for this new world and how they see themselves in it. When they enter the Kingdom of Alabama, everything Charlie and Sidney thought they knew about themselves, and the world, will be turned upside down. Brimming with heart and humor, Cebo Campbell's astonishing debut novel is about the power of community and connection, about healing and self-actualization, and a reckoning with what it means to be Black in America, in both their world and ours.-- Publisher's description.

"Vern gives birth to twins and raises them away from the influence of the outside world. But something is wrong-not with them, but with her own body...A genre-bending work of Gothic fiction that wrestles with the history of American racism"-- Provided by publisher.

"The Other Black Girl meets Midsommar in this spine-chilling, propulsive psychological adult debut from highly acclaimed author Vincent Tirado, in which a married couple moves into a gated "community" that slowly creeps into a pervasive dread akin to the social horror of Jordan Peele and Lovecraft County-We Came to Welcome You cleverly uses the uncanny to illuminate the cultish, shocking nature of systemic racism. Where beauty lies, secrets are held...ugly ones. Sol Reyes has had a rough year. After a series of workplace incidents at her university lab culminates in a plagiarism accusation, Sol is put on probation. Dutiful visits to her homophobic father aren't helping her mental health, and she finds her nightly glass of wine becoming more of an all-day-and all-bottle-event. Her wife, Alice Song, is far more optimistic. After all, the two finally managed to buy a house in the beautiful, gated community of Maneless Grove. However, the neighbors are a little too friendly in Sol's opinion. She has no interest in the pushy Homeowners Association, their bizarrely detailed contract, or their never-ending microaggressions. But Alice simply attributes their pursuit to the community motto: "Invest in a neighborly spirit"...which only serves to irritate Sol more. Suddenly, a number of strange occurrences-doors and stairs disappearing, roots growing inside the house-cause Sol to wonder if her social paranoia isn't built on something more sinister. Yet Sol's fears are dismissed as Alice embraces their new home and becomes increasingly worried instead about Sol's drinking and manic behavior. When Sol finds a journal in the property from a resident that went missing a few years ago, she realizes why they were able to buy the house so easily... Through Sol's razor-sharp tongue and macabre sense of humor, Tirado explores the very real pressures to assimilate with one's surroundings to "survive," while also asking the question: Is it survival when you're no longer your true self? Because in Maneless Grove, either you become a good neighbor-or you die"-- Provided by publisher.

"The introduction of a singularly stunning new voice in fiction, Ayanna Gillian Lloyd's The Gatekeepers is a mythic love story set in contemporary Trinidad & Tobago about two young outsiders brought together by their connection with the dead"-- Provided by publisher.