"From the internationally bestselling author of the "terrifically affecting" (The Philadelphia Inquirer) Mornings in Jenin, a sweeping and lyrical novel that follows a young Palestinian refugee as she slowly becomes radicalized while searching for a better life for her family throughout the Middle East."-- Provided by publisher.

"Arabiyya celebrates the alluring aromas and flavors of Arab food and the welcoming spirit with which they are shared. Written from her point of view as an Arab in diaspora, Reem takes readers on a journey through her Palestinian and Syrian roots, showing how her heritage has inspired her recipes for flatbreads, dips, snacks, platters to share, and more. With a section specializing in breads of the Arab bakery, plus recipes for favorites such as Salatet Fattoush, Falafel Mahshi, Mujaddarra, and Hummus Bil Awarma, Arabiyya showcases the origins and evolution of Arab cuisine and opens up a whole new world of flavor"-- Inside cover.

"A new novel that gives voice to the diverse residents of a Palestinian American community in Baltimore--from young activists in conflict with their traditional parents to the poor who clean for the rich--shows lives which intersect across divides of class, generation and religion"-- Provided by publisher.

"A deeply moving family story about identity, faith, and belonging set in the Muslim immigrant enclave of Bay Ridge, Brooklyn following three siblings coming of age over the course of one Ramadan. It's the holy month of Ramadan, and twin sisters Amira and Lina are about to graduate high school in Bay Ridge, Brooklyn. On the precipice of adulthood, they plan to embark on a summer of teenage revelry, trying on new identities and testing the limits of what they can get away with while still under their parents' roof. But the twins' expectations of a summer of freedom collide with their older brother's return from prison, whose mysterious behavior threatens to undo the delicate family balance. Meanwhile, outside the family's apartment, a storm is brewing in Bay Ridge. A raid on a local business sparks a protest that brings the Arab community together, and a senseless act of violence threatens to tear them apart. Everyone's motives are called into question as an alarming sense of disquiet pervades the neighborhood. With everything spiraling out of control, how will Amira and Lina know who they can trust? A gorgeously written, intimate family story and a polyphonic portrait of life under the specter of Islamophobia, Between Two Moons challenges the reader to interrogate their own assumptions, asking questions of allegiance to faith, family, and community, and what it means to be a young Muslim in America"-- Provided by publisher.

"The acclaimed, award-winning novelist--author of The Moor's Account and The Other Americans--now gives us a bracingly personal work of nonfiction that is concerned with the experiences of "conditional citizens." What does it mean to be American? In this starkly illuminating and impassioned book, Pulitzer Prize Finalist Laila Lalami recounts her unlikely journey from Moroccan immigrant to U.S. citizen, using it as a starting point for her exploration of the rights, liberties, and protections that are traditionally associated with American citizenship. Tapping into history, politics, and literature, she elucidates how accidents of birth--such as national origin, race, or gender--that once determined the boundaries of Americanness still cast their shadows today. Throughout the book, she poignantly illustrates how white supremacy survives through adaptation and legislation, with the result that a caste system is maintained, keeping the modern equivalent of white male landowners at the top of the social hierarchy. Conditional citizens, she argues, are all the people whom America embraces with one arm, and pushes away with the other. Brilliantly argued and deeply personal, Conditional Citizens weaves together the author's own experiences with explorations of the place of nonwhites in the broader American culture"-- Provided by publisher.

"The moving, eye-opening memoir of an innocent man detained at GauntЃanamo Bay for 15 years: a story of humanity in the unlikeliest of places and an unprecedented look at life at GauntЃanamo on the eve of its 20th anniversary"-- Provided by publisher.

"In Girls That Never Die, award-winning poet Safia Elhillo reinvents the epic to explore Muslim girlhood and shame, the dangers of being a woman, and the myriad violences enacted and imagined against women's bodies. Drawing from her own life and family histories, as well as cultural myths and news stories about honor killings and genital mutilation, she interlaces the everyday traumas of growing up a girl under patriarchy with magical realist imaginings of rebellion, autonomy, and power. Elhillo writes a new world: women escape their stonings by birds that carry the rocks away; slain girls grow into two, like the hydra of lore, sprouting too numerous to ever be eradicated; circles of women are deemed holy, protected. Ultimately, Girls That Never Die is about wrestling ourselves from the threats of violence that constrain our lives, and instead looking to freedom and questioning: [what if i will not die] [what will govern me then]"-- Provided by publisher.

"A wise novel of love and grief, roots and branches, displacement and home, faith and belief. Balm for our bruised times." -David Mitchell, author of Utopia Avenue A rich, magical new novel on belonging and identity, love and trauma, nature and renewal, from the Booker-shortlisted author of 10 Minutes 38 Seconds in This Strange World . Two teenagers, a Greek Cypriot and a Turkish Cypriot, meet at a taverna on the island they both call home. In the taverna, hidden beneath garlands of garlic, chili peppers and creeping honeysuckle, Kostas and Defne grow in their forbidden love for each other. A fig tree stretches through a cavity in the roof, and this tree bears witness to their hushed, happy meetings and eventually, to their silent, surreptitious departures. The tree is there when war breaks out, when the capital is reduced to ashes and rubble, and when the teenagers vanish. Decades later, Kostas returns. He is a botanist looking for native species, but really, he's searching for lost love. Years later a Ficus carica grows in the back garden of a house in London where Ada Kazantzakis lives. This tree is her only connection to an island she has never visited—- her only connection to her family's troubled history and her complex identity as she seeks to untangle years of secrets to find her place in the world. A moving, beautifully written, and delicately constructed story of love, division, transcendence, history, and eco-consciousness, The Island of Missing Trees is Elif Shafak's best work yet.

"At ten years old, the Heir of Jasad fled a massacre that takes her entire family. At fifteen, she buried her first body. At twenty, the clock is ticking on Sylvia's third attempt at home. Nizahl's armies have laid waste to Jasad and banned magic across the four remaining kingdoms. Fortunately, Sylvia's magic is as good at playing dead as she is. When the Nizahl Heir tracks a group of Jasadis to Sylvia's village, the quiet life she's crafted unravels. Calculating and cold, Arin's tactical brilliance is surpassed only by his hatred for magic. When a mistake exposes Sylvia's magic, Arin offers her an escape: compete as Nizahl's Champion in the Alcalah tournament and win immunity from persecution. To win the deadly Alcalah, Sylvia must work with Arin to free her trapped magic, all while staying a step ahead of his efforts to uncover her identity. But as the two grow closer, Sylvia realizes winning her freedom means destroying any chance of reuniting Jasad under her banner. The scorched kingdom is rising again, and Sylvia will have to choose between the life she's earned and the one she left behind"-- Provided by publisher.

Offers a wide-ranging anthology of Palestinian writers and artists. This collection constitutes a collective effort to organize and center Palestinian voices in the ongoing struggle. As political discourse shifts toward futurism as a means of reimagining a better way of living, beyond the violence and limitations of colonialism, Light in Gaza imagines what the future of Gaza could be, while reaffirming the critical role of Gaza in Palestinian identity, history, and struggle for liberation. --From publisher description.

"Sardar unravels the meaning and significance of Mecca. Tracing its history from its origins as a barren valley in the desert to its evolution as a trading town and sudden emergence as the religious center of a world empire, Sardar examines the religious struggles and rebellions in Mecca that have significantly shaped Muslim culture ... [in a] blend of history, reportage, and memoir."--Amazon.com.

A diaspora of memories runs through this poetry collection--a multiplicity of voices, bodies, and houses hold archival material for one another, tracing paths between Brooklyn, Beirut, and Jerusalem. Boundaries and borders blur between space and time and poetic form--small banal moments of daily life live within geopolitical brutalities and, vice versa, the desire for stability lives in familiarity with displacement. These poems take stock of who and what can displace you from home and from your own body--and, conversely, the kind of resilience, tenacity, and love that can bring you back into yourself and into the context of past and future generations. Hala Alyan asks, What stops you from transforming into someone or something else? When you have lived a life in flux, how do you find rest?

"One evening, as a young boy growing up in Benghazi, Khaled hears a bizarre short story read aloud on the radio, about a man being eaten alive by a cat. Obsessed by the power of those words - and by their enigmatic author, Hosam Zawa - Khaled eventually embarks on a journey that will take him far from home, to pursue a life of the mind at the University of Edinburgh. There, thrust into an open society that is light years away from the world he knew in Libya, Khaled begins to change. He attends a protest against the Qaddafi regime in London, only to watch it explode in tragedy. In a flash, Khaled finds himself injured, clinging to life, an exile, unable to leave England, much less return to the country of his birth. To even tell his mother and father back home what he has done, on tapped phone lines, would jeopardize their safety. When a chance encounter in a hotel brings Khaled face to face with Hosam Zawa, the author of the fateful short story, he is subsumed into the deepest friendship of his life. It is a friendship that not only sustains him, but eventually forces him, as the Arab Spring erupts, to confront agonizing tensions between revolution and safety, family and exile, and how to define his own sense of self against those closest to him"-- Provided by publisher.

"From a "brilliant, absolutely essential voice" whose "poems feel like whole worlds" (Naomi Shihab Nye), a poetry collection considering the body physical, the body politic, and the body sacred. Zeina Hashem Beck writes at the intersection of the divine and the profane, where she crafts elegant, candid poems that simultaneously exude a boundless curiosity and a deep knowingness. Formally electrifying-from lyrics and triptychs to ghazals and Zeina's own duets, in which English and Arabic echo and contradict one another-O explores the limits of language, notions of home and exile, and stirring visions of motherhood, memory, and faith"-- Provided by publisher.

"From award-winning novelist and journalist Omar El Akkad comes a powerful reckoning with what it means to live in the heart of an empire that doesn't consider you fully human. On October 25th, 2023, after just three weeks of the bombardment of Gaza, Omar El Akkad put out a tweet: "One day, when it's safe, when there's no personal downside to calling a thing what it is, when it's too late to hold anyone accountable, everyone will have always been against this." This tweet was viewed more than ten million times. One Day Everyone Will Have Always Been Against This chronicles the deep fracture that has occurred for Black, brown, Indigenous Americans, as well as the upcoming generation, many of whom had clung to a thread of faith in Western ideals, in the idea that their countries, or the countries of their adoption, actually attempted to live up to the values they espouse.

The theme is the way in which intellectual traditions are created and transmitted ... Orientalism is the example Mr. Said uses, and by it he means something precise. The scholar who studies the Orient (and specifically the Muslim Orient), the imaginitive writer who takes it as his subject, and the institutions which have been concerned with teaching it, settling it, ruling it, all have a certain representation or idea of the Orient defined as being other than the Occident, mysterious, unchanging and ultimately inferior."--Albert Houran -- from http://www.amazon.com (Jan. 28, 2014).

"From the Pulitzer Prize finalist, author of The Moor's Account--a timely and powerful new novel about the suspicious death of a Moroccan immigrant that is at once a family saga, a murder mystery, and a love story, all of it informed by the treacherous fault lines of American culture. Nora Guerraoui, a jazz composer, returns home to a small town in the Mojave after hearing that her father, owner of a popular restaurant there, has been killed in a suspicious hit-and-run car accident. Told by multiple narrators--Nora herself, Jeremy (the Iraq war veteran with whom she develops an intimacy), widow Maryam, Efrain (an immigrant witness to the accident who refuses to get involved for fear of deportation), Coleman (the police investigator), and Driss (the dead man himself), The Other Americans deftly explores one family's secrets and hypocrisies even as it offers a portrait of Americans riven by race, class, and religion, living side by side, yet ignorant of the vicissitudes that each tribe, as it were, faces" -- Provided by publisher.

The book describes growing up in the Islamic Republic of Iran and the group of young women who came together at Nafisi's home in secret every Thursday to read and discuss great books of Western literature. It also explains the influence of four great writers, Vladimir Vladimirovich Nabokov (e.g., Lolita), F. Scott Fitzgerald (e.g., The Great Gatsby), Jane Austen (Pride and prejudice), and Henry James (Washington Square, Daisy Miller, etc.).

From the author of In the Country of Men, a Man Booker Prize and National Book Critics Circle Award finalist, comes a beautifully written, uplifting memoir of his journey home to his native Libya in search of the truth behind his father's disappearance. NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW AND THE WASHINGTON POST When Hisham Matar was a nineteen-year-old university student in England, his father was kidnapped. One of the Qaddafi regime's most prominent opponents in exile, he was held in a secret prison in Libya. Hisham would never see him again. But he never gave up hope that his father might still be alive. "Hope," as he writes, "is cunning and persistent." Twenty-two years later, after the fall of Qaddafi, the prison cells are empty and there is no sign of Jaballa Matar. Hisham returns with his mother and wife to the homeland he never thought he'd go back to again. The Return is the story of what he found there. It is at once an exquisite meditation on history, politics, and art, a brilliant portrait of a nation and a people on the cusp of change, and a disquieting depiction of the brutal legacy of absolute power. Above all, it is a universal tale of loss and love and of one family's life. Hisham Matar asks the harrowing question: How does one go on living in the face of a loved one's uncertain fate? Praise for The Return "[Matar] writes with both a novelist's eye for physical and emotional detail, and a reporter's tactile sense of place and time. The prose is precise, economical, chiseled; the narrative elliptical, almost musical. . . . The Return is, at once, a suspenseful detective story about a writer investigating his father's fate at the hands of a brutal dictatorship, and a son's efforts to come to terms with his father's ghost, who has haunted more than half his life by his absence." —Michiko Kakutani, The New York Times "It seems unfair to call Hisham Matar's extraordinary new book a memoir, since it is so many other things besides: a reflection on exile and the consolations of art, an analysis of authoritarianism, a family history, a portrait of a country in the throes of a revolution, and an impassioned work of mourning. . . . For all its terrible human drama . . . the most impressive thing about The Return is that it also tells a common story, the story of sons everywhere who have lost their fathers, as all sons eventually must." —Robyn Creswell, The New York Times Book Review "A moving, unflinching memoir of a family torn apart by the savage realities of today's Middle East. The crushing of hopes raised by the Arab spring—at both the personal and national levels—is conveyed all the more powerfully because Matar's anger remains controlled, his belief in humanity undimmed." —Kazuo Ishiguro, "The Best Summer Books," The Guardian "Few trips could be as emotionally freighted as the one taken by Libyan-raised novelist Hisham Matar in his thriller-like memoir . . . about the post-Qaddafi search for his dissident father—and his own deeply ambivalent sense of homecoming." — Vogue "A triumph of art over tyranny, structurally thrilling, intensely moving, The Return is a treasure for the ages." —Peter Carey "Tremendously powerful . . . Although it filled me with rage again and again, I never lost sight of Matar's beautiful intelligence as he tried to get to the heart of the mystery." —Nadeem Aslam

"Not since childhood has Faraz returned to the Mohalla, Lahore's infamous walled inner city, where women still pass down the profession of courtesan to their daughters. But he still remembers the day he was abducted from the home he shared with his mother and sister there, at the direction of his powerful father, who wanted to give him a chance at a respectable life. Now Wajid, once more dictating his fate from afar, has sent Faraz back to Lahore, installing him as head of the Mohalla police station and charging him with a mission: to cover up the violent death of a young kanjari. It should be a simple assignment to carry out in a marginalized community, but for the first time in his career, Faraz finds himself unable to follow orders. As the city assails him with a jumble of memories, he cannot stop asking questions or chasing down the walled city's labyrinthine alleyways for the secrets-his family's and his own-that risk shattering his precariously constructed existence. Profoundly intimate and propulsive, The Return of Faraz Ali is a spellbindingly assured first novel that poses a timeless question: Whom do we choose to protect, and at what price?"-- Provided by publisher.

"A young, queer Palestinian American woman pieces together her great-aunt's secrets in this sweeping debut, a family saga confronting questions of sexual identity, exile, and lineage. In a Pacific Northwest hospital far from the Rummani family's ancestral home in Palestine, the heart of a stillborn baby begins to beat and her skin turns a vibrant, permanent cobalt blue. On the same day, the Rummanis' centuries-old soap factory in Nablus is destroyed in an air strike. The family matriarch and keeper of all Rummani lore, Aunt Nuha, believes that the blue girl embodies their sacred history, harkening to a time when the Rummanis were among the wealthiest soap-makers and their blue soap was a symbol of a legendary love. Decades later, Betty returns to her Aunt Nuha's gravestone, faced with a difficult decision: Should she stay in the only country she's ever known or should she follow her heart for the woman she loves, perpetuating her family's cycle of exile? Betty finds her answer in partially translated notebooks that reveal her aunt's complex life and struggle with her own sexuality, which Nuha hid to help the family emigrate to the United States. But, as Betty soon discovers, her aunt hid much more than that. The Skin and Its Girl is a searing, poetic tale about desire and identity, and a provocative exploration of how we let stories divide, unite, and define us--and even wield the power to restore a broken family. Sarah Cypher is that rare debut novelist who writes with the mastery and flair of a seasoned storyteller"-- Provided by publisher.

"Loulie al-Nazari is the Midnight Merchant: a criminal who, with the help of her jinn bodyguard, hunts and sells illegal magic. When she saves the life of a cowardly prince, she draws the attention of his powerful father, the sultan, who blackmails her into finding an ancient lamp that has the power to revive the barren land-at the cost of sacrificing all jinn. With no choice but to obey or be executed, Loulie journeys with the sultan's oldest son to find the artifact. Aided by her bodyguard, who has secrets of his own, they must survive ghoul attacks, outwit a vengeful jinn queen, and confront a malicious killer from Loulie's past. And, in a world where story is reality and illusion is truth, Loulie will discover that everything-her enemy, her magic, even her own past-is not what it seems, and she must decide who she will become in this new reality"-- Provided by publisher.

"From the author of the acclaimed and award-winning debut The Map of Salt and Stars, a remarkably moving and lyrical novel following three generations of Syrian Americans who are linked by the truths they carry close to their hearts. Five years after a suspicious fire killed his mother, a closeted Syrian American trans boy sheds his birth name and searches for a new one. He has been unable to paint since his mother's ghost has begun to visit him each evening. The only time he feels truly free is when he slips out at night to paint murals on buildings in the once-thriving Manhattan neighborhood known as Little Syria. One night, he finds the tattered journal of a Syrian American artist named Laila Z. She famously and mysteriously disappeared more than sixty years before, but her journal contains proof that Laila Z's past is intimately tied to his mother's-and his grandmother's--in ways he never could have expected. Even more surprising, Laila Z's story reveals the histories of queer and transgender people within his community that he never knew. Following his mother's ghost, he uncovers the silences kept in the name of survival by his own community, his own family, and within himself, and discovers the family that was there all along. The Thirty Names of Night is an imaginative and intimate exploration of how we all search for and ultimately embrace who we are"-- Provided by publisher.

"In the wake of an insignificant battle between two long-forgotten kingdoms in fourteenth-century southern India, a nine-year-old girl has a divine encounter that will change the course of history. After witnessing the death of her mother, the grief-stricken Pampa Kampana becomes a vessel for the goddess Parvati, who begins to speak out of the girl's mouth. Granting her powers beyond Pampa Kampana's comprehension, the goddess tells her that she will be instrumental in the rise of a great city called Bisnaga--literally 'victory city'--the wonder of the world. Over the next two hundred and fifty years, Pampa Kampana's life becomes deeply interwoven with Bisnaga's, from its literal sowing out of a bag of magic seeds to its tragic ruination in the most human of ways: the hubris of those in power. Whispering Bisnaga and its citizens into existence, Pampa Kampana attempts to make good on the task that Parvati set for her: to give women equal agency in a patriarchal world. But all stories have a way of getting away from their creator, and Bisnaga is no exception. As years pass, rulers come and go, battles are won and lost, and allegiances shift, the very fabric of Bisnaga becomes an ever more complex tapestry--with Pampa Kampana at its center"-- Provided by publisher.

The postwar global order was in many ways shaped in response to the Holocaust. That event became the benchmark for atrocity, and, in the Western imagination, the paradigmatic genocide. Its memory orients so much of our thinking, and crucially, forms the basic justification for Israel's right first to establish itself and then to defend itself. But in many parts of the world, ravaged by other conflicts and experiences of mass slaughter, the Holocaust's singularity is not always taken for granted, even when its hideous atrocity is. Outside of the West, Pankaj Mishra argues, the dominant story of the twentieth century is that of decolonization. The World After Gaza takes the current war, and the polarized reaction to it, as the starting point for a broad reevaluation of two competing narratives of the last century: the Global North's triumphant account of victory over totalitarianism and the spread of liberal capitalism, and the Global South's hopeful vision of racial equality and freedom from colonial rule. At a moment when the world's balance of power is shifting, and the Global North no longer commands ultimate authority, it is critically important that we understand how and why the two halves of the world are failing to talk to each other. As old touchstones and landmarks crumble, only a new history with a sharply different emphasis can reorient us to the world and worldviews now emerging into the light. In this concise, powerful, and pointed treatise, Mishra reckons with the fundamental questions posed by our present crisis--about whether some lives matter more than others, how identity is constructed, and what the role of the nation-state ought to be. The World After Gaza is an indispensable moral guide to our past, present, and future.